She thinks of it as her debut novel

She thinks of it as her debut novel, though she has two preceding books in print. The plot is well aged in the whiskey barrel of life. She has been ruminating the twists for more than three decades. This is the book she left the mountains to write 13 years ago, not that she can’t write in the mountains. There is writing inspiration aplenty in such a cozy cabin, but instead of writing, she kept shouldering the duties of others instead of minding her own business – much like the main character in The Right Woman for the Job. In fact, The Right Woman for the Job mirrors many of the experiences of the author – and fictionalizes a reciprocal amount. Like the movie, Groundhog Day, this book has taken many tries to get it right – both in real life experience and in rewriting of the lines. The author herself has changed. The original model characters have changed. Heroes have risen – and fallen. Scenes have been added and deleted, format and metaphor rearranged like the squares on a sliding tile puzzle. The Right Woman for the Job has had many title changes – changes that reflect the character improvement and growth and migration and focus of the protagonist. 

Tuesday, February 2, 2021 is more than just Groundhog Day. The first Tuesday in February is a big book release day in the publishing industry. And this year she will participate – for the first time ever – in the custom of releasing a book on the first Tuesday in February. Chalk one up for the bucket list. Finally, she has done what she said she would do – she never dreamed it would take 13 years and two hundred thousand miles of detours. 

The Right Woman for the Job available softcover from cherryodelbergbooks.com
and as an ebook from Amazon.com

remembering Shirley Bryan-an introspective

Shirley Bryan is dead, and she didn’t get to read the book. The book in which a very important supporting character is modeled after her. The book in which I put words in her mouth – made her say what I understood her to say. The book that was dedicated to her because she believed in me, mentored me from afar. Just knowing she was there, just knowing what she would say gave me the affirmation to move forward. Shirley Bryan died January 1 of this year. I found out when I googled her address to send a copy of The Cemetery Wives – albeit with fear and trembling because she has a much more particular grasp of the English language than I do. Nevertheless, I thought proper to send her a copy because I dedicated it to her. Would she still be at the same address? A mere three months ago when I penned the dedication line, I searched online and found her husband, Chaplin Bill, had died two years ago. I have not seen Shirley, talked to Shirley, or been in contact for over 25 years. It is I who am totally responsible for the distance and lack of communication. For the first 12 years after leaving seminary, I chose not to burden her with my day-to-day frustrations because she had plenty of new young women to mentor. For the past twelve I have been ashamed to reach out. I am divorced. My life did not go as it ought. It would have grieved Shirley, as it grieved me. My presence at the seminary was due to my marriage to a seminary student and we are no longer married. 

Back in the day when I was married to a seminary student and Shirley mentored young mothers, we had an understanding. Speaking to young wives was her calling, writing was my growing passion. We would travel the ancient biblical lands together. She would gain knowledge and speak. I would be her amanuensis. In both speaking and writing, we would reach the maximum number of people with truth. In addition, we would both luxuriate in seeing the wonders of the world.

It was never a real plan – only a casual conversation – but her participation in the dream was true encouragement. Something that told me I could move forward. I was free to pursue writing. It might even be my calling.

Tired of living the life

Living the life, he writes from a 230-square-foot studio cabin while penning a yearly update to family. Panoramic views stretch expansively into public lands from the windows liberally flanking three sides of the studio. In the center stands a pot-bellied wood stove. Water reaches toward a boiling point for tea. Hardbound classics stand upright on knotty pine shelves. A vintage microscope, typewriter and various state of the art wireless word-processing devices conveniently litter a sweeping 24-foot, built-in desk space. It can be assumed he is clothed in wool that is very smart – in more ways than one – and featherweight down. 

This is the life, she says. And she is eternally grateful. For over 60 years she has longed for the time and solitude to write. And now she is living the life; living in a well-equipped authentic Victorian row house; rising before dawn and writing for a couple hours; bathing in a vintage claw-foot tub with hot running water that she doesn’t have to fetch or heat; hiking for two hours a day,  every day at whatever time of day suits her fancy; keeping fit, keeping well-read, indulging in virtual choirs and virtual bass workshops and adding to her piano repertoire and strumming her pain with her fingers on a handsome acoustic guitar she never had time to caress until this year.  Most of the time, she is vastly content.  She has done what she said she would do 13 years ago – write.  In the space of eleven months, she brought two novels to print, novels begun in the 80s and now historic. She resurrected a children’s book first published in her initial crusade to become a writer.

But they are tired, these siblings, tired of not being able to meet in a cozy coffee shop, tired of not being able to travel by train or plane to exotic places to expand their intellectual horizons. Tired of restraint from family reunions where laughter is shared by people who overlap with common inherencies. 

Sometimes she grows tired of living the life; tired of not being able to go to a ballroom just every once in a while and find herself in the arms of a man who can really lead and who can dance to boot – or dance in boots if the situation is western; tired of singing virtually without the felt energy of leaning in to match the blend; tired of hawking and signing her books electronically – missing the smiles uncovered and the handshakes hearty and the spontaneity of laughter that does not mute the audio of everyone else.

And as for him? He is living the life – in the lap of all that he loves and has earned, but he is tired of talking to colleagues, about bears and nutes and biodiversity and the human genome, via Zoom. He longs to go global once again – lecture and discuss in Zumbian zoos and the Tanzanian tropics and rustic Denalian lodges. 

And so they coexist, these two siblings, closely related by blood yet often differing in opinion, a few hundred miles apart, in virtual solitude and partial isolation.

Yes, they are living the life in so many ways and they acknowledge it with heartfelt gratitude.

 But in some subtle way, they are tired of living the life. Something needs to change.

Please Judge the book by its cover

Please judge the book by its cover!

It’s the book she never intended to write. You know, the Christian Women’s fiction one. And the audience for this book is probably well over 50 and likes best to read comforting feel-good books by Jan Karon about Father Tim and all the residents of Mitford. 

It’s the book that disappointed her favorite cousin “why doesn’t the main character DO something?” said the cousin when prevailed upon to do a final read through.

It’s the manuscript the author read aloud to her best friend while on a long road trip, so the best friend is not obligated to read the book again – but that friend did volunteer that she loves the cover! The art is mesmerizing.

It’s the book the author’s 32-year-old daughter will probably never read since it’s not Rowling or Tolkien or Austen or Brönte or Frank Herbert. But her daughter, none-the-less, has an eye for style and an opinion about the cover. And that is how the cover came to be washed in shades of brown and looking like a southern gothic adventure set in the 80s.

Artist Courtney Harris did a fabulous job of interpreting the author’s ideas of a cemetery in Texas in 1989. The author is happy with the cover. The author’s daughter is happy with the cover. The artist’s mother is happy with the cover. The author’s best friend is happy with the cover. So please, go ahead and judge the book by its cover!

Because the back cover says “Caution: contains Bible quotes and seminary speak and a very unconventional love story.” 

Unconventional. Yes. In the latest film version of Little Women, Mr. Dashwood (the publisher) tells Jo March, “and if the main character is a woman, make sure she is married by the end of the book – or dead!” The ending would satisfy Mr. Dashwood – and all those who share his point of view. Someone is dead and someone is married.

Farewell 2020 i regret nothing

Farewell 2020.

I regret nothing.

Hindsight is 2020, everyone is saying, and now 2020 is in our rearview mirror. 

None of us have any desire to cling to the past

Isn’t that the way it is supposed to be? 

We move forward with hope that tomorrow will be better than today.

We turn the leaf to a fresh new page

Farewell, farewell!

There is no going back.

I regret nothing.

Now is the time to harness the energy for greeting the adventures around the corner, not for ruing the past.

Hope springeth eternal

Does it?

Then, let it!

There is no time like the present to continue to do what you have always wanted to do.

The challenges are no greater and no less than they have ever been

Give it your all

Things I do not regret from 2020

I do not regret moving back to Colorado

Not sorry I discovered Durango

Not sorry I spent my savings on a washer and a dryer and two down vests and a pair of

top-flight, waterproof hiking boots.

I do not regret the kayak

Not sorry I found people to sing with virtually so that I must practice every day and thereby increase my oxygen and endorphin intake

Not sorry I busied myself about music during isolation and learned bass and bought a bass amp.

I have no regrets concerning cloistering myself and writing for nine and a half months.

2020 was a year of incredible events, unforeseen depths of loss and amazing opportunity. I regret nothing. Onward 2021.